Images included in this article may be explicit in nature.
In the discussion on moé and sex, certain characters tend to stand out as good case-studies on where moé and sexuality intersect and how they interact with each other. These characters range from those with slightly perverse tendencies to those with seductive streaks, all the way to full-on nymphomaniacs, and each one of these characters offers a chance to examine how moé and sex play together, as well as a chance to discuss appeal itself and the differences between various types of appeal.
I am of the opinion that no work of art or media is above or beneath scrutiny.
That is to say, all works deserve deliberate examination. There is nothing that isn’t worth analysis, and there is nothing that “defies criticism.” Closer examination of a work of media may reveal aspects of it that could change the way people think about it, both for old and new works. Countless such examinations exist for anime such as Neon Genesis Evangelion, Revolutionary Girl Utena, and, more recently, Puella Magi Madoka Magica.
This operation, however, will take on an anime that was pushed aside disgustedly like the broccoli in a child’s plate by many fans. Disliked, ignored, or outright hated, this series garnered little examination from the fandom at large and, while it’s not difficult to see why it was pushed aside, the elements that originally squicked the individuals who now hate the show aren’t the only elements at work.